Inna … was intrigued by the ways in which [the narrator] might attempt to [alter history and memory for the purposes of adaptation] and considered her unique narrative style to be part of the process.
What began as an academic paper ended as a labour of love for Ian McEwan’s arresting, intricate novel, Atonement. This piece appeared among fine company in volume 6 of IDIOM: English Undergraduate Academic Journal.
Inna Rasitsan 